A standard for living often comes from philosophy, religion, or authority. Mine...well, it comes from a children's book. The Velveteen Rabbit offered one profound, yet simple principle and at age seven I learned that I did not want to forsake it. Be ugly, get old, smell awful, suck as things, get made fun of-but through it all be very, very REAL. Let's explore the velveteen of it all...
The Velveteen Rabbit
A Place for Poetry...
half of me on land
[sitting in front of the ocean: 8.02.09; 7:35 am]
i’m imaginary while stationary
next to the woman who wakes the gods that I do not believe in
the gods in the haze, the swell
before noon, the little girl in me
breezed away, swept over,
overlooked, the little girl in me
only under my toe, only thicker
than the froth, the washed up
entities, my self, my fears:
the wars, whatever I am crying about
i ask the sun saluter
to my right to intercess, maybe it’ll
mean something more when she
reaches up
it just might within the slight
dusting of light and grain beneath
me, I may cry forever and
never cry again and I myself
may gently salute the sun
Monday, March 21, 2011
Prose Poem...I think...
(Title pending)
I want to write songs like she makes haste, like he draws representations, like they drink beer, like we hear God. We hear Jesus on the mount saying, "Hey man, don't try to sing what's on the radio." But we do it, and we like it. The we'll cry back, "Christ almighty, Jesus, it's so easy to dance, though, when they play the music for you." But David danced to the sound of his own lute being pricked by his own fingers. And I think Goliath had his own record label.
But I want to carve words I think sound good together into a jagged rock and hurl my self-sustaining, melody-strumming lyre at Goliath's heart. I don't want to feel Jesus this time. I don't want to make him understand-if I can't. I'll do it all first Kings style and put my rock in the world's largest sling shot. And I'll tell Goliath to back the fuck off 'cause Def Jam had and still has nothing on me. And Lord knows I did a better job then David could have done, but he asked me to make a deal.
I hesitated . But from the mount, Christ said, "do it." And I said, "Stop pushing me, damn it." And David said, "I'll put music to your words if you let me take the credit for your kill." And I wanted so badly in that moment to do what the runners, the artists, and the drinkers never could to; to do what they never could do to fabricate their hopes. I wanted to scream from a mount of my own that I had made real: "Jesus! What do I do!? What's the answer!?" But I did not, and he said not a word, but lowered the clouds as if to give an affirmative nod.
So I turned to David and said it was a deal. And he made me a melody. He said, "okay, so you hand me my credit for the killing first, then you get your song." And while I knew I should have requested we hand them over at the same time, I didn't say a word, but handed him my sling shot and my honor. And David ran off with my song.
He'd put it in a book eventually. He'd apostrophize it to his God, but it was still mine. And still David danced while I, unseen, played his lute.
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