The Velveteen Rabbit

here's how I'm looking at things...

"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"
"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."
"Does it hurt?" asked the Rabbit.
"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."
"Does it happen all at once, like being wound up," he asked, "or bit by bit?"
"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."

Welcome to Taking Lessons from Toys!
Let's talk about the things that matter to a nineteen (and counting) year old: poetry, music, amazing places, and food...

A Place for Poetry...

half of me on land

[sitting in front of the ocean: 8.02.09; 7:35 am]

i’m imaginary while stationary

next to the woman who wakes the gods that I do not believe in

the gods in the haze, the swell

before noon, the little girl in me

breezed away, swept over,

overlooked, the little girl in me

only under my toe, only thicker

than the froth, the washed up

entities, my self, my fears:

the wars, whatever I am crying about

i ask the sun saluter

to my right to intercess, maybe it’ll

mean something more when she

reaches up

it just might within the slight

dusting of light and grain beneath

me, I may cry forever and

never cry again and I myself

may gently salute the sun

Friday, April 22, 2011

Channeling Sharon Olds' "I Go Back to May 1937..."


For My Sister

In October 1993 they told me i could
finally come in to see you, while
you writhing, well, you were in fact,
writhed, wrinkled, and the like, but you,
little native american baby doll, i could
fit your head in my two hands
i had practiced, too, with the naked baby doll,
naked baby doll, we put you in the car and

in 2007 we put you in the car,
i can take you out if i want, i’ll take you out
and you won’t have to see me CAT scanned and concussed,
you won’t have to see me after the car hit the tree
i want to put you back in the car,

in the back seat
so i can say you’ll be a good driver instead of
don’t drive, don’t go, don’t grow
you will instead yell at me in August
three years later you’ll say i was never a friend,
i was never a friend
and every time i will say Sh, babydoll,
i’ll make you hold my hand like you’re wrinkled again, and say:

you are going to make me want to be small,
with those hands, with them you are going to
hit me, you are going to become bigger
than you were in the incubator
you’re going to sit in the front seat of a car
you never imagined and kiss him,

he will have no face to me, and i will say
sorry but i won’t mean it because i want you,
i mean, i want you back in the station wagon
i want you in the back seat
where I can reach back and
feel like you’re mine, and
you won’t have to worry, you
won’t have to worry

about watching me make myself big,
because i felt like i needed it,
you won’t have to worry about my performance,
the bow that i take
when i look at you, and you are smiling
with the bouquet, you are smiling
with your head in my hands
i will pick up the head in 2007
between two fingers and make you small,
the way you made me small
but before i pinch, before i make you coo and writhe,
i hit the tree that i hit

because my head—it wanted to hit the windshield
so you’d come, head twice the size,
but just the same, to say: Don’t drive her, don’t go;
in the same place where they said i could come in,
i hold your head in my two hands because
i want to hold baby dolls together,
tiny, wrinkled, you touch my face—tiny, tiny
i’ll be in the incubator this time
and next time, we’ll both watch.






Thursday, April 14, 2011

Poem that I would love suggestions for....


Going Without

Upon interviewing single mother of two daughters, one of whom living with cerebral palsy, I was struck by her statement that she no longer tells others that her daughter is waiting for government services at this point, but that after twelve years of unanswered cries for help from an uninformed government, she simply says that Caroline “goes without…”

your little body, contorted and confused
as if sopping up air, parachuting from me
you said wait ‘till you hear me laugh
except you wrote it in the air
your legs like the praying mantis, pinched at foot
and blown like the ribbed, plastic bubble wand
left to contortions, twists, and wire-like limbs

your little body rests itself as an upside-down U
you are swaying from one elbow crevice to another
and I am saying that I can do it
so I do it
but exert need when you can’t see me crying
you can’t see me crying, while you grow knees
and knees grow you into gauze circumventing
vocal chords, bronze but green, golden but not

threaded in patterns that make you say:
hi mom because you never knew how to
cast on, but you knew how to hold your
words, dangling from strings of parachutes
inside me, so that I may hold them in the same
space I once held your crinkled legs
and fly them to you on paper airplanes when you

most needed expression you had only held out to me
in cupped hands—small, sewed on, yet teenage
though you needed lifting, alloy substitutes, sight through air bubbles
you give me a day and my head floats
in silent skies, in your laughs and salty toes

once stuck in waters, ink pools stagnant:
contradictory to the intended whirling nature,
your little fists clench a cob-webbed scrap of parchment
donning names, old, whose heads float and toes sit
pruning, dry yet frozen
escorting the mantis, he kisses your twisted legs


and you laugh with a young raspy brilliance
and as if to write on the air with raspy words
you say that the time goes quicker if we ride in parachutes
but since i bore you, you’ve put your green hands
on either side of mine and said pray
because though I wait by your side

while you challenge my hands
that shake, almost always, neurotically
holding you because you’re still that
contorted flicker than once lay inside me
holding strings that you said not to cut

but not once listed, and when we asked for new ones
stitched, hopefully unnoticed
they said, you’re just small, you’re just small
and though we wait to jump the plane,
goggles sealed tight
readying our stances, your chair
wheeling itself to the edge,
but I wish someone else could catch it
by its handlebars, tumbling
for your protection, but then you step
slipping passed air bubbles
that have left us stuck for twelve years

and though you silently shout to the air,
to everyone: I’m not small, I’m not small,
you—are small, but heavy with words you
can’t tell me, and though I must push, lift, and hold you,
you carry me back to the sky

because below is not ours yet
to run around, laugh, to let our legs dangle
I’m not small, you say—from your
Readable head to my eyes—
And we sit without treasures of lower clouds
Going without, because you’re small




   

Monday, April 4, 2011

A New Poem...

Inspired by research on my grandparents' Holocaust documents and experiences...


The Soil of Birkinau: 1942


Blesssed are you, Adonai,
Our God, ruler of the Universe,
Who has created everything
For your glory

I wish my occipital lobe had failed me more than it did:
that cognitive function, that feeling that maybe we’d live
or die together; that feeling that I was thinking,
that I was Jewish, that nothing made sense,
and that made sense.
Sour spits projected onto my toes
because they took my shoes
because I guess they needed them too,
rotted, stinking shoes in piles, wheelbarrowed
and dumped into one of several gaping, gasping trenches.
Every olfactory moment brewed sense between my eyebrows:
over time as I imbibed and painfully regurgitated truths
of the wreak of the trench, in my hair,
on my blistery and impassionate hands.
With steel-sliced and labored fingers,
I can feel my sister’s bloodied shirt, the star hanging
from my mother’s neck, crimson and trying to mean something
in trenches.  I’d scream to know I had been born
Adonai, Adonai, kill me so that I may not live
but keep smoking lives alive so mine may not end.
But if I couldn’t see—couldn’t see syncopated diamonds
begetting steps taken and breaths skipped in Sosnowiec
I’d be breathing in guttural stenches, sanctioning realities
I’d rather step on, irregular waste I’d rather ignore
so it’s not Chanka’s cloths, her mother’s chain, the blues of her eyes
in puffs, permeating the dirt, and dying with smoky earth,
beneath my bones, raised by hips and scraps of legs.
I wish I’d forget that she made me see
but I cry Adonai because looking while smelling kills
in trenches, I wish to find her whispering
that it’s not real, we’re not there, we’re not there
in trenches, she touches me
and holds my finger out to stars that aren’t there.
I heave exhaust, sinking in the imaginary air
It’s like we’re there again
 Every time I think I’m sleeping